Bibliography

Berger, John. Ways of Seeing, British Broadcasting Corporation and Penguin Books, 1972

Clark, Kenneth. Landscape Into Art, Harper & Row, 1949

Driskell, David C. Two Centuries of Black American Art.

New York: Alfred A, Kuopf, 1976.

Dunning, William V. Changing Images of Pictorial Space: A History of Spatial Illusion

in Painting. Syracuse Univ. Press, 1991.

Dutton, Denis. The Art Instinct: Beauty, Pleaure, and Human Evolution, Bloomsbury, 2009

Fabozzi, Paul. Artists, Critics, Context , Prentice Hall, 2002

Feldman, Edmond. Varieties of Visual Experience. Englewood Cliffs, NJ: Prentice Hall

1993.

Gombrich, E. H. Art, Perception, and Reality, Johns Hopkins University Press, 1972

Hicks, Alistair. Art Works: British and German Contemporary Art.

London: Merrell Publishers, 2001

Horton, James. Composition & Perspective: Lessons & Excercises to Develop Your

Painting & Drawing Technique ( Seeing Things Simply). Book Sales, 1994.

Itten, Johannes. The Elements of Color. London: Van Nostrand Co., 1970, 95pp.

Johnson, Ellen. American Artists on Art: From 1940 to 1980. New York: Harper & Row,

1982,274p.

Kemp, Martin. The Science of Art: Optical Themes in Western Art from Brunelleschi to

Seurat. Reprint Edition, 1992.

Marin, Louis. On Representation, Stanford University Press, 2001

Poling, Clark V.. Kandinsky’s Teaching at the Bauhaus: Color Theory and Analytical

Drawing. New York: Rizzoli, 1986.

Ross, Stephen D.. Art and Its Significance: An Anthology of Aesthetic Theory, Albany,

NY: SUNY Press, 1987, 635 p.

Salemme, Lucia A. Compositional Exercises for the Painter. New York: Watson-

Guptill, 1973.

Warhol, Andy, and Hackett, Pat. POPism: The Warhol ‘ 60’s. New York: Harper &

Row, 1980.

BIBLIOGRAPHY